About us
Creating the Sound of Imagination
Technicolor and Paramount, two innovative forces in the entertainment world, have partnered to build a brand new post production sound facility from the ground up on the iconic Paramount Pictures studio lot in Hollywood.
In this economic climate, it is unique to find a venture with such a significant investment that verifies the crucial importance of post production sound in the filmmaking process. With a facility of this stature, powered by acclaimed creative talent and state-of-the-art technology, filmmakers are given the opportunity to excel and create something great. The new facility, named “Technicolor at Paramount” began its phased opening on September 1st, 2011.
Located in one secure 92,000 square feet building, together with Paramount’s Theatrical Post Production offices and 30 high end picture editorial suites, the facility is spread over three floors and 65,000 square feet.
Technicolor at Paramount provides a full range of post sound services for feature films, broadcast, DVD and new media.
Key Services
- Re-Recording Mixing – 8 stages with surrounding editing rooms and client lounges
- Worldwide Connectivity - secure, high speed media transfer to and from worldwide facilities via our proprietary Technicolor Production Network (TPN)
- Remote Picture QC – capability to receive and playback work-in-progress footage from outside post houses (i.e.,VFX, DI), in real time within all sound mixing environments and on screens calibrated to Technicolor grading specifications
- ADR & Foley – 3 large ADR stages and 1 Foley stage
- Sound Design & Editorial – 8 sound design rooms & 16 sound editorial rooms
- Transfer & Layback – capable of handling all the latest multi-format audio needs
- DVD Audio & Restoration – 4 DVD edit & 2 DVD mastering rooms
- Mobile Mixing – Technicolor’s DMR (Digital Mobile Re-Recording) Solution
Learn more about our state-of-the art facilities, including technical specifications
Talent
Technicolor Sound Services is building up an eminent team of sound mixing and editorial professionals.
As we open, we are very excited to have a great team of talent on board who have been recognized by their peers and the industry at large with an array of awards and nominations from:
Technicolor at Paramount
Main line: (323) 956 7000
Fax: 323 956 7030
5555 Melrose Avenue, PPB,
Hollywood, CA 90038
HollywoodSound@technicolor.com
Facebook.com/Technicolor-at-Paramount
We have meticulously designed our new facility, taking the time to precisely decide on each and every detail - building the most comfortable and immersive work environment, choosing the right technology and keeping it consistent throughout, achieving optimum acoustics on the stages, as well as installing worldwide connectivity capabilities and many other important features.
We welcome you to come visit and explore everything we have to offer here at Technicolor at Paramount.
Re-Recording
| Stage 1 (open) | Stage 2 (open) | |
| Stage 3 (ready H2 2012) | Stage 4 (ready H1 2012) | |
| Stage 5 (open) | Stage 6 (open) | |
| Stage 7 (open) | Stage 8 (open) | |
| Stage 9 |
Technical Specifications:
| Stage 1 & 2 | Stage 3 | |
| Stage 4 | Stage 5 - 8 | |
| Stage 9 |
ADR & Foley
ADR 1 (open)
ADR 2 (open)
ADR 3 (ready H2 2012)
Sound Design and Editorial
8 Sound design and 16 sound editorial rooms. Ready H2 2012
Client Hospitality
Our state-of-art facility ensures total comfort and access to spacious client lounges, conference rooms, director suites, showers, massage room and pool tables.
Worldwide Connectivity
Secure, high speed connectivity via our 10 gigabit proprietary Technicolor Production Network (TPN) to Technicolor’s other creative facilities around the world in Vancouver, Toronto, Montreal, New York, London, Rome, Bangalore, Bangkok and Beijing.
Transfer & Layback
Outstanding multi-format capabilities and services, including two 7.1 HD layback rooms.
Technical Specifications
DVD Audio & Restoration
4 DVD edit & 2 DVD mastering rooms
Mobile Mixing
Technicolor’s DMR (Digital Mobile Re-Recording) is our mobile mixing solution that helps a production if they need to have an on-site re-recording set-up at their location.
“Post-production may sound like a technical word, but in actuality, it's the most important element in the anatomy of filmmaking. It's an art unto itself that structures the arc of your story. Film, dialogue, sound, music, and effects are its five major tentacles. During the post-production process, each of these is structured and edited separately by highly talented artists, whose contribution is rarely appreciated or spoken of. Frame by frame with precision and skill, your canvas evolves its persona. Post-production is the key to film magic or film mediocrity. From it comes your completed canvas, which is presented for all the world to see and critique.”
Excerpt from “The Kid Stays in the Picture” by Robert Evans
TALENT
The heart of our facility is our tremendous team of professionals who are dedicated to bringing pictures to life with sound and to pushing the envelope whenever possible. Below is a list of our talent so far and links to their bios and award achievements. Stay tuned for further exciting announcements, as we build up our crew at Technicolor at Paramount.
Re-Recording Mixers
ADR Mixers
| Judah Getz Credits/IMDB - Award |
Foley Team
Foley Artists:
| Alicia Stevenson Credits/IMDB - Award |
Dawn Fintor Credits/IMDB - Award |
Zane Bruce Credits/IMDB |
Foley Mixer:
| Scott Curtis Credits/IMDB - Award |
Antony Zeller Credits/IMDB |
Supervising Sound Editors
Technicolor at Paramount
Audio Media
Download Article
Par, Technicolor shine light on facility
Variety
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Sound Investment
Variety
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Bookings and Signings
Variety
Download Article
Anna Behlmer Joins Technicolor
The Hollywood Reporter
Download Article
Technicolor unveils new post Sound Complex
Editors Guild
Download Article
Scott Millan to Receive CAS Career Achievement Award
The Hollywood Reporter
Download Article
Technicolor Teams Sound Recording Re-Mixers Scott Millan and Greg P. Russell
The Hollywood Reporter
Download Article
Technicolor Adds Sound Vets
Variety
Download Article
Paramount eyes post production upgrade
The Hollywood Reporter
Download Article
Technicolor at Paramount
Main line: (323) 956-7000
Fax: (323) 956-7030
5555 Melrose Avenue, PPB
Hollywood, CA 90038
HollywoodSound@technicolor.com
Facebook.com/Technicolor-at-Paramount
SCHEDULING |
SALES |
| Tricia Linklater Theatrical Scheduling (323) 956-7017 tricia.linklater@technicolor.com |
Mark Kaplan Sales (323) 956-7010 mark.kaplan@technicolor.com |
| Andrea Metty Broadcast, ADR & Foley Scheduling (323) 956-7223 andrea.metty@technicolor.com |
|
| Sergio Silva Scheduling (323) 956-7222 sergio.silva@technicolor.com |
OPERATIONS & ENGINEERING |
MANAGEMENT & ADMINISTRATION |
| Kevin Spears Facility Operations (323) 956-7011 kevin.spears@technicolor.com |
Scott Millan Theatrical Sound Director (323) 956-7007 scott.millan@technicolor.com |
| Doug Kent Editorial Operations (323) 956-7012 doug.kent@technicolor.com |
Shannon Simonds Administrative Assistant (323) 956-7015 shannon.simonds@technicolor.com |
| Michael Novitch Facility Engineering (323) 956-7008 michael.novitch@technicolor.com |
VAULT SERVICES |
CLIENT SERVICES |
| Noah Batson Vault Services (323) 956-7190 noah.batson@technicolor.com |
Melanie Garduno Client Services (323) 956-7020 melanie.garduno@technicolor.com |
| Robin Warren Vault Services (323) 956-7190 robin.warren@technicolor.com |