Following the release of the list of films selected at the Cannes Film Festival this year, Technicolor is proud to announce that we provided services for eight titles.
From Hollywood to Paris and from Montreal to London, our worldwide talents provided an array of services for these eight films:
Inside Llewyn Davis: full range including dailies, digital intermediates.
Nebraska: we performed the dailies with Skip Kimball overseeing both the dailies timing as well as the final DI color grading (although the film is being presented in black and white). We're handling the festival digital cinema mastering.
The Great Gatsby: rendering of all 8 reels of the DCDM and all the digital cinema work for both 3D and 2D.
Immigrant: work on the digital cinema mastering.
Technicolor New York
Inside Llewyn Davis: dailies were performed at Technicolor-Postworks NY under the supervision of Peter Doyle who worked from our Soho imaging facility. Peter Doyle performed the final color timing with the film's cinematographer, Bruno Delbonnel. We also handled the film's festival digital cinema mastering.
The Great Gatsby: versioning.
Le Démantèlement: post-production services (« La semaine de la critique de Cannes »)
Muhammad Ali's Greatest Fight: showing in a special screening; Paul Ensby did the color-grading.
The Great Gatsby: digital cinema mastering, versioning and distribution for European/international market.
Behind the Candelabra: distribution, about to start work on the digital cinema package OVWFS (original version with French subtitles).
Jimmy P.: sound.
Suzanne: opening film of « La semaine de la critique ». Technicolor provided image and sound.